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Screen
Pop thrills: Edgar Wright’s ‘Baby Driver’ is a smart, sexy musical for the age of Spotify
Carlos Valladares
  •  
June 28, 2017
Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed
Olivia Popp
  •  
June 9, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
  •  
June 4, 2017
‘Wakefield’ could be more woke
Amir Abou-Jaoude
  •  
June 1, 2017
Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’
Olivia Popp
  •  
May 30, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
  •  
May 26, 2017
An evening with Daveed Diggs at Dinkelspiel
Carlos Valladares
  •  
May 25, 2017
‘Chuck’ wishes it were ‘Rocky’
Amir Abou-Jaoude
  •  
May 23, 2017
Act naturally: Billy Wilder’s ‘The Apartment’ at the Stanford Theatre
Carlos Valladares
  •  
May 19, 2017
Shane Carruth’s headscratcher sci-fi ‘Primer’
Olivia Popp
  •  
May 18, 2017
Quel grit! ‘Breakfast at Tiffany’s’ at the Stanford Theatre
Carlos Valladares
  •  
May 17, 2017
Getting raw and real with the season two finale of ‘Crazy Ex-Girlfriend’
Olivia Popp
  •  
May 15, 2017
Our fair lady: Audrey Hepburn classics (‘Roman Holiday,’ ‘Sabrina’) at the Stanford Theatre
Carlos Valladares
  •  
May 12, 2017
‘Obit’ documentary is dead on arrival
Amir Abou-Jaoude
  •  
May 11, 2017
‘Big Little Lies’ brings big talent to the small screen
Raymond Maspons
  •  
May 8, 2017
Terence Davies’ and Cynthia Nixon’s Emily Dickinson biopic burns with ‘A Quiet Passion’
Carlos Valladares
  •  
May 5, 2017
Master director Terence Davies talks Emily Dickinson, Brando, and growing up on movies
Carlos Valladares
  •  
May 5, 2017
At the Stanford Theatre: ‘My Fair Lady,’ May 6 & 7
Carlos Valladares
  •  
May 4, 2017
In ‘Mildred Pierce,’ Joan Crawford shone brightest
Amir Abou-Jaoude
  •  
May 1, 2017
The sad and the beautiful: Val Lewton and Vincente Minnelli at the Stanford Theatre
Carlos Valladares
  •  
April 28, 2017
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