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Critic’s Pick
Film review: “Hot Rod”, or: (A Good Comedy is Not Hard to Find)
Connor Huchton
  •  
May 13, 2016
Theater Review: ‘The Mathematics of Love’ is a stunning exploration of intimacy
Madelaine Bixler
  •  
May 11, 2016
Critic’s Pick: Jai Wolf, Live in San Francisco
Serena Wong
  •  
May 11, 2016
Album Review: M83’s most recent space odyssey
Tyler Dunston
  •  
May 11, 2016
On ‘The Colour in Anything,’ James Blake reconsiders melancholy
Benjamin Sorensen
  •  
May 10, 2016
Film review: King Hu’s newly restored “Dragon Inn” is a must-see martial-arts masterpiece
Carlos Valladares
  •  
May 8, 2016
Aesop Rock’s ‘The Impossible Kid’: A Knot Worth Unraveling
Clare Flanagan
  •  
May 6, 2016
Marvel’s ‘Captain America: Civil War’ redeems the superhero genre
Raymond Maspons
  •  
May 5, 2016
Stanford Live: Looking ahead to next fall
Serena Wong
  •  
May 3, 2016
The Outsiders deliver a monster performance at EBF
Tyler Dunston
  •  
May 1, 2016
Festival review: West Coast hip-hop steals the show at Coachella
Benjamin Sorensen
  •  
April 28, 2016
Festival review: We see Coachella’s artists, and they see us too
Joshua Seawell
  •  
April 28, 2016
Festival review: At Coachella, worlds collide
Clare Flanagan
  •  
April 28, 2016
Theater review: ‘Eclipsed’ revolutionizes the Broadway stage
Bella Wilcox
  •  
April 28, 2016
Midori. Enough Said.
Serena Wong
  •  
April 27, 2016
Film review: “Green Room” is nutty neo-Nazisploitation (and it’s pretty good)
Raymond Maspons
  •  
April 21, 2016
World-class pianist Murray Perahia charms Bing
Serena Wong
  •  
April 19, 2016
Music Beat Preview: Coachella 2016
Clare Flanagan
  •  
April 18, 2016
Gallant’s debut LP ‘Ology’ perplexes and dazzles in equal measure
Tyler Dunston
  •  
April 13, 2016
Film review: “Demolition” is more than its cynicism shows
Reed Canaan
  •  
April 12, 2016
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