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Critic’s Pick
Film review: On the aptly-titled “Absolutely Fabulous”
Jessica Xing
  •  
July 31, 2016
Film review: ‘Ghostbusters’ is sure to lift spirits
Liz Ketcham
  •  
July 31, 2016
Film review: ‘Lights Out’ chills — and how!
Liz Ketcham
  •  
July 30, 2016
Cantor exhibit ‘Soulmaker’ is a haunting remembrance of things past
Ify Ezechukwu
  •  
July 12, 2016
The Outsiders avoid the sophomore slump on ‘O/X2’
Jacob Nierenberg
  •  
July 10, 2016
Film review: ‘The BFG’ is a moving testament to Dahl’s and Spielberg’s greatness
Carlos Valladares
  •  
June 30, 2016
Film review: I know you’ll love ‘Popstar’, I know you’ll care
Connor Huchton
  •  
June 4, 2016
Film review: Terence Davies’ ‘Sunset Song’ is lilting, lyrical, life-affirming poetry
Carlos Valladares
  •  
June 3, 2016
Carlos’ faves of 2016 (the Mid-Year Report)
Carlos Valladares
  •  
May 30, 2016
Five films to define the 2015-16 academic year
Reed Canaan
  •  
May 30, 2016
From Bandcamp to Matador: Car Seat Headrest’s cathartic ‘Teens of Denial’
Tyler Dunston
  •  
May 30, 2016
Theater review: ‘Wars of the Roses’ is a disturbing thrill
Bella Wilcox
  •  
May 26, 2016
Interview: A conversation with Remy Boy Monty on hometowns, Fetty Wap and mixtapes
Benjamin Sorensen
  •  
May 23, 2016
Film review: Whit Stillman’s costume comedy ‘Love & Friendship’ energizes 2016 cinema
Carlos Valladares
  •  
May 20, 2016
Film review: Buddy cop film “The Nice Guys” is a nice little romp through the ’70s
Raymond Maspons
  •  
May 20, 2016
On ‘Coloring Book,’ Chance grows up
Clare Flanagan
  •  
May 19, 2016
Festival review: Fetty Wap shines, but Frost is far from the right fit
Benjamin Sorensen
  •  
May 17, 2016
‘A Moon Shaped Pool’: Radiohead returns with another anxious and mournful masterwork
Tyler Dunston
  •  
May 16, 2016
Film review: In his underrated masterwork, Nicolas Cage proves he’s America’s “National Treasure”
Carlos Valladares
  •  
May 13, 2016
Film review: A fresh look at the daring “Looney Tunes: Back in Action”
Carlos Valladares
  •  
May 13, 2016
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